Son of Godzilla - DivX Version (Normal Quality), iPod/iPhone Version
Posted by dannyshelton1974 on 23rd November 2009
|
IMDB rating: 4.70 Plot: A group of scientists are on tropical Solgel Island in the Pacific to conduct weather control experiments. Just before they begin, they find giant preying mantases measuring 25 feet tall called Kamakaras. They decide to go ahead with the experiments, but a malfunction in one of the devices and as a result a radioactive storm that pushes the temperature up to two hundred degrees. The storm also causes the mantases to grow even bigger to 100 feet tall. The manatases then make their way to a huge mound where they uncover a giant egg which contains a young Godzilla, later named Minilla. Eventually, Godzilla shows up and saves his offspring. The rest of the movie features Godzilla taking care of and teaching his young son the skills that will eventually help him to become the new “King of Monsters”. |
Available versions:
DivX Version (Normal Quality), iPod/iPhone Version
Actors: Takashima Tadao,Kubo Akira,Hirata Akihiko,Tsuchiya Yoshio,Sahara Kenji,Maruyama Kenichiro,Kuno Seishiro,Saijo Yasuhiko,Kurobe Susumu,Suzuki Kazuo,Omae Wataru,Togin Chotaro,Onaka Seiji,Nakajima Haruo,Family,Sci-Fi,
The 37th Chamber 09.19.09: NEW YORK STAND UP!!!
19.09.09
I agree completely. When I think Def Jam, I think Rick Rubin, Russell Simmons and LL Cool J, and then more names come later, but those are the first that come to mind. If there is a video montage/package of “Def Jam Through The Years” etc., I sincerely hope that someone puts LL Cool J in it somehow and that management at Def Jam don’t ask him to be removed from the video, which I can see happening. It depends I guess on who has the bigger pride. Will LL swallow his pride and make an appearance after saying negative things about how the label was being run, or will Def Jam bite the bullet and ask him to appear (after which I see LL asking for an incentive etc.). It really is put up or shut up time for most of them. Crooked I’s situation I can sort of understand as he’s been shuffled around the labels a lot but his EP that was meant to come out on September 2 is nowhere to be seen with no explanation of why it got pushed back. Papoose I have officially given up on until an album comes, I can’t be bothered getting his mixtapes anymore. Saigon did have that one-day project he released, but that was more of a mixtape thing than an actual album still. If his album is completely like he has said many times, why the hell can’t he just put it out on his own label or independently like on E1 (Koch). Hell he’s on Amalgam Digital now and still hasn’t put an album out yet. And I don’t care whether the album is hot enough for the streets or if he has that raw shit because I reckon there are a LOT of people out there who are not caring the longer he takes to get an album out. Just put SOMETHING out because people WILL buy it if it’s good in comparison to what we get in hip-hop today. A 500 pound gorilla eating bananas and burping for 45 minutes would probably be more tolerable than Soulja Boy’s next work of crap, so by comparison, Saigon’s absolute worst effort is still probably going to be a 6.0-6.5 album in the end. There are very few albums that impressed me as much as Doggystyle did the first time round. I honestly have no idea WHY Snoop doesn’t flow like this anymore, it’s certainly, well I don’t rap but I don’t believe it’s something you can suddenly lose like a hat or anything. I think the only other artist who really made me sit up and say ?Wow’ with their flow was Pun’s Capital Punishment and Eminem on the Marshall Mathers LP albums. Definitely a Classic album that has withstood the test of time since its release. I get the feeling that working with Dre is an extremely double-edged sword. One one hand, you’re almost guaranteed excellent production as I don’t think I’ve ever really heard a terrible Dre beat. On the other hand however, getting an album out (these days anyway) is virtually impossible under him. Tha Doggfather is also a bit guest-heavy and I think this perhaps started a trend with his later albums and the luxury of sharing the mic with so many other artists has lead him to become a bit lazy with his flow these days. Anyway, first off, I have very low expectations from virtually every artist apart from a very small select few. Those would include Royce Da 5′9″, Little Brother and Pharoahe Monch (as irregular as he is) as I have not once been disappointed by these artists when it comes to their albums. Even some of my other favorite artists such as Canibus, Common, most of the Wu-Tang Clan and Ice Cube have thrown an extreme curveball or just released a very average album at one point or another and I’ve been disappointed in it. Listening to an album that I can see as a reviewer is an excellent album but doesn’t necessarily appeal to ME personally will incur a rounding down by 0.5, such as A Tribe Called Quest’s albums as I’ve never particularly enjoyed them, but appreciate them as good albums. By comparison, Maino’s album, which I had coming in at about 7.2, I eventually gave a 7.5 because I enjoyed the album as a whole and have kept listening to certain tracks months after I reviewed it, and have gone looking to buy it (only to be shut down by Australia’s lack of hip-hop retail support). Anyway, New York has covered a huge amount of ground this year, and that’s just based on the albums I’ve reviewed and not other releases that I have most likely forgotten about. The music has also shown a fair amount of diversity in it. You’ve got Jim Jones and Jay-Z being a fairly commercial orientated acts, Jadakiss and Maino rapping for the streets, Busta Rhymes bringing a nice blend of styles, Red & Meth, Wu-Tang and Raekwon for the throwback (and also being simply dope) releases and M.O.P. being M.O.P. which is usually a fairly good thing.
Posted in Uncategorized | No Comments »